Low autumn sunlight falling through a stand of tall conifer trees

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October drop

Ember Pine

Pine resin and woodsmoke over a thin line of sweet orange. It reads warmer after the first hour, which is why we only pour it once the workshop drops below fifteen degrees. When this batch is gone it is gone until next autumn.

  • WaxCoconut-soy blend, uncoloured
  • WickBraided cotton, single
  • Burn timeAround 45 hours
  • VesselRibbed amber glass, refillable
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Scent index

Twelve scents in rotation. Four are year-round, the rest come and go with what we can get locally.

  • Ember PineResin, woodsmoke, sweet orange
  • Cold LarchGreen needle, wet stone
  • Hearth FigFig leaf, brown sugar, milk
  • Linen HourClean cotton, iris, soft musk
  • Birch MilkBirch sap, oat, vanilla pod
  • Salt CedarCedar, sea air, grapefruit peel
  • Rye FieldDry grass, hay, chamomile
  • Quince AshQuince, clove, cold fireplace
  • Moss LetterOakmoss, paper, black tea
  • Bramble DuskBlackberry leaf, violet, smoke
  • Pale HoneyBeeswax, linden, almond
  • Night JuniperJuniper, pepper, cold pine
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Hand-turned lanterns

Turned from offcut cedar on a lathe at the back of the workshop, then fitted with a brass collar and a plain glass chimney. The grain is never the same twice, so each one is photographed individually before it goes up.

  • SizesStub, standard, tall, floor
  • FinishHard wax oil, no stain
  • FittingsUnlacquered brass, will patina
  • TakesTealights or our refill tins
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Refills & returns

Every vessel we sell is meant to come back. Scrape out what is left, rinse it warm, and send it in with the card that came in the box — we clean it properly, re-wick it and pour it again at refill rate.

Unopened orders can go back within thirty days. If a wick drowns or a vessel arrives cracked, tell us and we will replace it rather than ask you to post it anywhere.

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Workshop dates

Two hours at the pouring bench. You blend a scent from the shelf, pour two vessels, and leave them overnight to cure — we post them on or you collect at the next market. No experience needed, and we keep it to eight people.

  • Thursday6–8pm · 3 seats open
  • Saturday10am–12pm · full
  • Next Saturday10am–12pm · 5 seats open
  • IncludesTwo vessels, apron, tea
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Markets & pop-ins

We take the folding table out twice a month through autumn. Seconds and short-pours come to markets and never go online, so it is worth getting there early.

  • First SaturdayRiverside makers' market, 9am–2pm
  • Third SundayOld Granary craft day, 10am–4pm
  • Workshop doorThursdays, 2–5pm
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Care & trimming

Four habits that get you the full burn out of a hand-poured candle.

  1. On the first light, leave it going until the melted pool reaches the edge of the glass. That sets the memory of the burn and prevents tunnelling later.
  2. Trim the wick to about five millimetres before every light. A long wick is what makes soot, not the wax.
  3. Keep single burns under four hours. After that the vessel gets hot enough to pull the scent flat.
  4. Stop at a centimetre of wax left and keep the glass for a refill. Burning it dry can crack the base.
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Studio notes, no. 14

A short letter that goes out with the autumn batch.

“Same formula, same supplier, and still the October pour never smells like the April one. Cold wax holds oil differently — it sets faster, traps more of the top notes, and lets them go all at once an hour in. We stopped trying to correct for it. Now we just pour the resinous things when the workshop is cold and the green things when it isn't.”
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About Cedar Lumen

Two benches, one lathe and a pouring pot. The workshop started as a way to use up cedar offcuts from a furniture bench and turned into the only thing we do now.

The wax is a coconut-soy blend with no dye and no hardener. Scents are blended here from essential and fragrance oils, wicks are braided cotton, and every vessel is chosen because it can be cleaned out and poured again. Batches are forty units, which is as many as fit on the cure rack.

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